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Kate Andersen

Designing for good.

Design Atelier

Objects Rituals

Ori

A design atelier exploring objects, rituals, and environments.

Graphic Design

Signage Motion

Tampa Bay Watch

An entirely new visual system for Tampa Bay's most iconic non-profit org.

Brand Strategy

Branding UX/UI

Boyd Industries, Inc.

A new tech-forward chapter for a 70+ year-old medical design company.

Visual Identity

Photography Print

Nothing New Collective

Brand identity and digital experience design for a curated collection of designer vintage furniture.

Industrial Design

Branding Packaging

The Pollinator Shop

A brand identity and web experience designed for the modern gardener.

Brand Identity

Branding Print

Oyster Boys Conservation

Visual identity and community-focused design for a growing marine restoration organization.

Web Applications

UX/UI Programming

The Scroll

An online web application that explores discernment in the age of AI.

Motion Design

2D Motion Graphics

Animation Projects

Select from my portfolio.

Illustration

Digital Traditional

Illustration Projects

Select from my portfolio.

Writing

Articles Research

Writing Samples

Select from my portfolio.

Kate Andersen
Kate Andersen
Kate Andersen

Kate Andersen is a designer, collaborator, and artist focused on impactful storytelling, regenerative systems, and immersive user-experiences.



She directs creative, strategy, and design for clients across industries, including the nonprofit, environmental, and medical sectors.

Recently, she has expanded her practice by supporting architectural and urban design projects with Panorammma in México under design director Maika Palazuelos.

Clients

  • Florida State University
  • Eckerd College
  • Tampa Bay Watch
  • Boyd Industries
  • MAR | Mindful Action for Regeneration
  • Oyster Boys Conservation
  • The Pollinator Shop
  • Nothing New Collective

Services

  • Brand Strategy
  • UX/UI Design
  • Visual Identity
  • Product Design
  • Exhibition Design
  • Research
  • Creative Direction
  • Motion Design
  • Packaging
  • Print Design
  • Illustration
Ori Design Atelier

Client

Ori

Year

2025

Scope

  • Brand Strategy
  • Product Design
  • Regenerative Design
  • Experiential Design

Ori · a design studio



Objects, rituals, and environments that shape our orbit. Launching soon in 2026.

Tampa Bay Watch headquarters

Client

Tampa Bay Watch

Year

2023-2024

Scope

  • Brand Strategy
  • Graphic Design
  • UI/UX Design
  • Print Materials
  • Exhibit Signage
  • Photography

Tampa Bay Watch, a leading marine conservation organization, needed a refreshed and cohesive brand identity to better reflect their mission and impact in the Tampa Bay area.

The task was to modernize their brand while maintaining their established reputation and create a flexible system that works across educational, scientific, and community contexts—with a focus on user-centered digital experiences.

In my role as Graphic Designer, I led UX/UI design for their website redesign, as well as created more consistent, modern public-facing visuals— including high-quality photography, immersive educational experiences, and a fresh brand identity designed with the team at SPARK.

Brand color palette
Snorkeling in Tampa Bay
Nature shot
Tampa Bay Sunset
Print collateral
Brochure design
 Photography - Sunset Boat Tour
Brand color palette

Branding

SPARK Team

Elliott Bedinghaus, VP of Creative

Cameron Blank, Brand Director

Adriana Leite, Associate Creative Director

Santiago Jaramillo, Brand Designer

Candice Lockhart, Sr. Project Manager

Web Development

Jenna Rogers, Marketing Director

Kate Andersen, Graphic Designer

Tiana Kirby, Database and IT Projects Manager

Web Design

Kate Andersen

In-House Creative

Kate Andersen

Exhibit Animation

Kate Andersen

Mark Meyers

Jeanne Clark

Leah Biery

Photography

Kate Andersen

Client

Tampa Bay Watch

Project Information

Tampa Bay Watch is a pioneering non-profit marine conservation organization dedicated to the protection and restoration of the Tampa Bay estuary. With over three decades of environmental stewardship, they needed a visual identity that could carry their mission forward while honoring their legacy.

In Spring 2023, I joined Tampa Bay Watch as an in-house designer and content creator during a pivotal moment in the organization's growth. Known for over 30 years of coastal restoration and marine education, Tampa Bay Watch had expanded its programming to include a new education center on the St. Pete Pier, additional marine science programs, and the transformation of its headquarters into a waterfront venue for eco-friendly celebrations. While these initiatives brought exciting opportunities, they also led to brand fragmentation and confusion across audiences.

Recognizing the need for clarity, I proposed a brand restructuring strategy to the CEO in Summer 2023—recommending a branded house approach that would unify the organization under a cohesive visual system. Around the same time, our marketing team discovered SPARK's Stoked campaign, which offers pro-bono branding support to nonprofits. We applied and were fortunate to be selected. Together with Jenna Rogers (Marketing Director) and Dwayne Virgint (CEO), I collaborated closely with SPARK to reimagine Tampa Bay Watch's brand—one that honors its iconic legacy and creates a sense of community among "Tampa Bay locals," human and wildlife residents alike.

Alongside the rebrand, Jenna and I initiated a full redesign of Tampa Bay Watch's website. I led the UX design and visual direction through custom wireframes and layout systems, prioritizing user flows that make complex conservation information accessible to diverse audiences. I also redesigned the Tampa Bay Watch Discovery Center website, improving both brand alignment and user experience to better serve the center's high volume of diverse visitors.

As the organization's lead creative, I oversaw all visual outputs to ensure brand consistency across platforms. This included designing educational signage, marketing collateral, merchandise, and digital content—all with a focus on user-centered design that makes environmental action feel approachable. I also directed two educational animations featured at the Discovery Center, located on the St. Pete Pier—a destination that draws millions annually.

The resulting work reflects a unified, flexible brand that communicates clearly with a wide range of audiences—from school children to scientific partners—while staying grounded in the beauty and purpose of the bay we work to protect.

Nothing New Collective Brand Identity

Client

Nothing New Collective

Year

2024

Scope

  • Visual Identity
  • Logo Design
  • Print Materials

Nothing New Collective, St. Petersburg's iconic vintage furniture shop, needed a brand identity that reflected their curated collection of mid-century modern pieces.

The goal was to create a visual system that balanced contemporary design with vintage aesthetics, while establishing a strong digital presence through social media that make vintage shopping feel modern and accessible.

Nothing New Collective logo design
Brand color palette
Website design
Digital Ad design
Digital Ad design
Business cards
Signage design

Creative Direction

Kate Andersen

Design

Kate Andersen

Photography

Pexels Public Domain

Library of Congress Prints & Photographs

Client

Nothing New Collective

Robert Lower, Founder

Project Information

Nothing New Collective represents a unique intersection of vintage curation and modern retail in St. Petersburg's thriving design scene. As the city's premier vendor for mid-century modern furniture, they needed a brand identity that could bridge the gap between historical appreciation and contemporary aesthetics.

The visual identity system draws inspiration from the clean lines and organic forms characteristic of mid-century design, while incorporating a more contemporary and playful illustration style that appeals to St. Petersburg's design-conscious consumers. The color palette balances warm, nostalgic tones with crisp, modern graphic elements.

Typography plays a crucial role in the identity, with the use of Expressa, an iconic and period-appropriate typeface, combined with modern typographic principles that prioritize readability and accessibility. This approach creates a visual language that feels both timeless and current—much like the pieces in Nothing New's carefully curated collection.

The system extends across all customer touchpoints, from in-store signage to digital platforms, creating a cohesive user experience that elevates the brand beyond traditional vintage retail. Every interaction—from browsing their socials to visiting the shop—was designed with user needs and regenerative values in mind. The result is an identity that honors the past while firmly establishing Nothing New Collective as a contemporary design destination.

The Pollinator Shop Brand Identity

Client

The Pollinator Shop

Year

2024

Scope

  • Brand Strategy
  • Visual Identity
  • Product Design

The Pollinator Shop needed a brand identity that would appeal to homeowners and plant lovers. The goal was to educate and inspire them to plant pollinator-friendly, native plants in their yards through intuitive, user-centered design.

We created a colorful, cohesive visual system that works across product packaging, merchandise, and educational materials while maintaining a contemporary, clean, and eco-conscious aesthetic—designed to make regenerative action feel accessible and engaging.

Product photo
Logomark Showcase
Wide format showcase
Box Mockup
Sticker Mockup
Wide format showcase
Bee
Logomark Showcase
Brand Guide

Creative Direction

Kate Andersen

Design

Kate Andersen

Packaging Design

Kate Andersen

Photography

Kate Andersen

Pexels Public Domain

Client

The Pollinator Shop

Project Information

The Pollinator Shop began with a simple yet powerful goal: to inspire individuals to protect pollinators through everyday action. From native bees to butterflies, these species are essential to our ecosystems—but often overlooked. I was brought on to help shape a brand that could bridge the gap between education, sustainability, and design—making pollinator advocacy approachable, actionable, and beautiful.

The challenge was to develop an identity that spoke to both seasoned gardeners and curious newcomers, while conveying the ecological urgency of pollinator conservation. The visual system draws from organic forms and natural geometry, creating a look that's refined yet friendly—scientific without being sterile. The tone is intentionally empowering, rooted in the belief that small-scale urban gardening can have a meaningful ecological impact.

From brand identity to product packaging and digital content, I designed a cohesive system that champions eco-friendly materials and intuitive, user-centered design. Every touchpoint—from seed kits to signage—is crafted with UX principles in mind, making it easy for users to understand pollinator-friendly practices and fostering a deeper connection with the environment through thoughtful information architecture and visual hierarchy.

A portion of the shop's proceeds supports pollinator conservation through nonprofit partnerships, reinforcing the brand's mission at every level. The result is a unique intersection of community and company, one that empowers individuals to become stewards of their local ecosystems, one garden at a time.

Oyster Boys Conservation Brand Identity

Client

Oyster Boys Conservation

Year

2025

Scope

  • Visual Identity
  • Merchandise Design
  • Illustration

Oyster Boys Conservation needed a design that offered variety for their merch. The goal was to create a design that resonates with their community, generates revenue, as well as captures the organization's evolving and growing mission through user-centered visual storytelling.

We hoped to elevate the brand's visual identity, creating a segue into a new chapter for the organization, without completing a full rebrand.

OBC Current Branding
Process Photo
Artwork Variations
OBC Artwork Composition
OBC Typography Highlight
OBC Chain Lettering Highlight
OBC Baseball Hat Mockup
OBC T-Shirt Mockup

Creative Direction

Kate Andersen

Design

Kate Andersen

Illustration

Kate Andersen

Client

Oyster Boys Conservation

Dominic Marino, President & CEO

Abby Hendershot, Operations Coordinator

Project Information

Oyster Boys Conservation is forging a new path in marine restoration, identifying as a grassroots movement built on grit. For their spring 2025 merch drop, I created a visual identity that complements their existing brand while carrying a few key elements to the forefront— strength, momentum, and an untamed edge— all grounded in purpose.

The centerpiece of the design features an osprey mid-flight, clutching a string of oysters—symbolizing resilience, restoration, and the wild harmony between predator and prey. This graphic, paired with a custom script wordmark and brand serif type drawn from maritime traditions, gives the artwork a bold, lived-in look that feels equally at home on a boat, a back road, or a city sidewalk—creating a versatile system that works across touchpoints.

To accompany the main artwork, I designed a modular "OBC" monogram inspired by traditional cattle brands and adapted from the Muara brand font. The result is a mark that feels rugged, modern, and unmistakably theirs—designed for scalability and recognition across digital and physical contexts.

This collection was designed not only to raise funds, but also to raise the bar for OBC's next chapter.

Boyd Industries Brand Identity

Client

Boyd Industries, Inc.

Year

2025

Scope

  • Brand Strategy
  • Visual Identity
  • Digital Design
  • UI/UX Design
  • Print Materials
  • Brand Guidelines

Boyd Industries, a 65+ year-old medical furniture design company, needed a brand refresh to reflect their tech-forward evolution while honoring their legacy.

The goal was to modernize their visual identity and create a cohesive system that works across digital platforms, product interfaces, and traditional marketing materials—with a focus on UX/UI design that prioritizes clarity and accessibility for medical professionals.

Boyd Industries logo design
Brand color palette
Digital interface design
Print collateral
Brand guidelines

Creative Direction

Kate Andersen

Brand Strategy

Kate Andersen

UI/UX Design

Kate Andersen

Client

Boyd Industries, Inc.

Adrian LaTrace, CEO

Project Information

With over 65 years of expertise in specialty dental and medical furniture, Boyd Industries has long been known for its craftsmanship and reliability. But as the company expanded into new markets—most notably through the acquisition of SMR, a premium ENT equipment line—it became clear the brand needed a visual system that could reflect its evolution.

The rebrand was driven by a desire to elevate Boyd's identity to match the quality of its products, while clarifying its growing brand architecture. The challenge was to modernize the brand without losing the equity built through decades of trust—especially in the dental market where Boyd is a category leader.

Inspired by the company's Clearwater roots and local supply chain—a key differentiator in an increasingly globalized industry—the new color palette incorporates Boyd Blue and Precision Navy, alongside a suite of metallic gradients: Platinum Silver, Satin Gold, and Slate Gray. These tones emphasize the durability and customization of Boyd's steel-based equipment, signaling a premium, future-facing brand built on solid foundations.

I redesigned the Boyd logomark with custom script and visual refinements to enhance legibility and modern appeal, while updating the broader logo system to feel more cohesive across all subsidiaries. New brand and photography guidelines were created to ensure consistency across marketing and sales materials—helping internal teams deliver a unified, elevated user experience.

Currently, I'm leading the UX/UI design of Boyd's new website (launching Q4 2025), which will bring this new visual identity to life across digital platforms. The UX strategy prioritizes clarity, efficiency, and accessibility—key values for medical professionals—while presenting Boyd Industries as a modern leader in healthcare equipment. Every interaction was designed with user research and accessibility standards in mind, creating intuitive pathways for product discovery and information access.

Procreate, 2024.

After Effects, 2024.

Procreate, 2024.

Illustration Portfolio

Walkman illustration. Created in Illustrator.

Wild Child illustration

Kids' t-shirt design. Created in Procreate.

Growing up illustration

Kids' t-shirt illustration. Created in Procreate.

Love in Passing illustration

'Love in Passing' illustration. Paper sketch, traced in Procreate.

The Scroll Web Application

Client

The Scroll

Year

2025

Scope

  • UX/UI Design
  • Web Development
  • Visual Design
  • Programming

The Scroll is a web app that challenges players to tell real images from AI-generated ones.

Designed with a minimalist, intuitive interface, the game explores how human perception is evolving in the digital age. Encouraging transparency, mindfulness, and a sense of personal responsibility in the consumption and production of media.

Exhibited in December 2025 at The Vestibule in Seattle, WA. Open to the public online at thescroll.app.

Interface design
User flow diagram
Mobile interface
Vestibule view 1
Vestibule view 2

Creative Direction

Kate Andersen

UX/UI Design

Kate Andersen

Development

Kate Andersen

Content

Sora

DALL-E

Midjourney

Public.Works

Unsplash

Pexels

Design & Documentation © 2025 Kate Andersen

Project Information

The Scroll emerges at a critical moment in our relationship with artificial intelligence, as the line between human and machine-generated content becomes increasingly blurred. This web application serves as both a game and a tool for developing digital literacy in an AI-dominated landscape.

The UX/UI design prioritizes clarity and focus, removing distractions to allow users to concentrate on the subtle details that often distinguish AI-generated images from human-created ones. Through careful information architecture and user flow design, the game tracks users' progress, offering reflections based on their performance and decisions at the end of each round.

The goal is to build a user's confidence in their own judgment while providing simple guidance and prompts for reflection. The experience evolves with the user through progressive disclosure and adaptive interfaces, introducing increasingly subtle distinctions as their discernment improves.

The project represents an increasingly relevant approach to education by being immersive, timely, and engaging for users with limited time or attention. So far, thousands of users have played the game. The tool will continue to evolve with AI's technological developments, as well as user feedback (please email hello@kateander.com with feedback or questions).

Installation view: Mariah Dekkenga, non-zero sum

Your Move: How Mariah Dekkenga Turns a Board Game Into a Meditation on Influence

Read the article →
Navy Documentary

She Made the Navy Keep Its Promise: The Story of Darlene Simmons

A grant-winning proposal to create a short documentary about Darlene Simmons, the Navy lawyer who took on the U.S. government— and won— in a landmark case against institutional sexual misconduct.

Read the proposal →

Writing & Research

Kate Andersen

WHY DO I WRITE?

I believe storytelling is one of the most powerful tools we have— it shapes how we grow as individuals and how we evolve as a culture. The stories we tell ourselves shape our inner worlds; the stories we share shape connection, meaning, and the lessons we carry forward.

I'm especially interested in how storytelling in the modern age can reach audiences at a larger scale— and how the intercourse between writer and reader can help surface new ideas and crowdsource solutions to global challenges.

For writing inquiries or commissions, please contact me at hello@kateander.com.