About
Kate Andersen
Creative for research, health, and environmental organizations.
Product & Type Design
GLYPH Immersive
A modular type tool. Product Hunt top 15, with more than 300,000 engagements.
Studio
ORI
Independent design studio focused on nature-inspired and regenerative design.
Web Applications
The Scroll
Exhibited at The Vestibule in Seattle, WA and visited by thousands online.
Design & Development
Mindful Action for Regeneration
A living archive where visitors document a mangrove site as it recovers.
In-house Design
Tampa Bay Watch
Branded-house strategy, website UX, Discovery Center animations, and photography.
Illustration
Oyster Boys Conservation
New artwork to engage the growing audience of a coastal restoration nonprofit.
Kate Andersen is a lead creative and interdisciplinary designer.
She leads research, strategy, and experience design for clients, and is the director of ORI, an independent studio exploring regenerative and biomimetic design.
Work
- Panorammma
- US Fish & Wildlife Service
- MAR | Mindful Action for Regeneration
- Tampa Bay Watch
- Florida State University
- Eckerd College
- Florida Native Plant Society
- Boyd Industries
- OceanHQ
- The Pollinator Shop
- Nothing New Collective
- Oyster Boys Conservation
Strategy
- Creative Direction
- Research
Design
- Systems
- UX/UI
- Industrial
- Exhibition
- Creative Technology
Resources & Contact
Project
GLYPH Immersive
Year
2026
Scope
- Product Design
- UX/UI Design
- Web Development
- Type Design
GLYPH Immersive is a modular type tool I created to make pixel and dot-based letterforms, symbols, and ornaments in the browser.
Within the first week of launch, it reached Product Hunt top 15 and more than 300,000 engagements.
I was curious about why pixel-inspired art and design continues to persist despite its obsolescence. Research into the ancient history of the grid, from textiles in the Andes to kolam art and more, revealed the special qualities of a grid: meditative, constrained yet infinite, inviting to both professional and novice.
Concept & Design
Kate Andersen
UX/UI Design
Kate Andersen
Development
Kate Andersen
Type Design
Kate Andersen
Recognition
Product Hunt top 15
300,000+ engagements
Project Information
GLYPH Immersive is a modular type tool I created to make pixel and dot-based letterforms, symbols, and ornaments in the browser. It was inspired by curiosity about why pixel and pixel-inspired art continues to persist despite its technical obsolescence, and what it is about the grid that keeps drawing us back?
With research, I learned more about the ancient history of the grid: the woven textiles of the Andes, the rice-flour kolam drawn at doorways in South India, the modular scripts and symbols that predate computers by centuries. The grid is a familiar tool with an important set of qualities: meditative, constrained yet infinite, and equally inviting to the professional and the novice. Technology today offers the artist endless possibilities - at times numbing life's necessary friction: the constraints and discomfort that produce great art and ideas. I created the tool as an accessible, engaging, playful space for people to explore their ideas.
GLYPH Immersive launched publicly in 2026. Within its first week it reached Product Hunt top 15 and more than 300,000 engagements.
Studio Practice
ORI
Year
2026
Scope
- Brand Strategy
- Website Design & Development
- Art Direction
- Motion Design
ORI is an independent studio practice centered on regenerative and biomimetic design.
The studio conducts research, experiments, and produces design that connects humans with nature across three scales: body/mind, homes/interiors, and shared environments.
Tidestone
A sea-glass instrument that shows the moon, the height of the water, and whether the tide is rising or falling at a chosen beach.
Reef Research
A deployable oyster-reef substrate made of concrete chainmail, designed for Florida estuaries. Prototypes are going into Tampa Bay in 2026.
Survey Camera
A custom survey camera for the U.S. Fish & Wildlife Service and the Fish & Wildlife Foundation of Florida.
Client
The Scroll
Year
2025
Scope
- UX/UI Design
- Web Development
- Visual Design
The Scroll is a web app that challenges players to tell real images from AI-generated ones.
Designed with a minimalist, intuitive interface, the game explores how human perception is evolving in the digital age. Encouraging transparency, mindfulness, and a sense of personal responsibility in the consumption and production of media.
Exhibited in December 2025 at The Vestibule in Seattle, WA. Open to the public online at thescroll.app.
Creative Direction
Kate Andersen
UX/UI Design
Kate Andersen
Development
Kate Andersen
Content
Sora
DALL-E
Midjourney
Public.Works
Unsplash
Pexels
The Vestibule gallery images by Kascha Semonovitch
Project Information
The Scroll emerges at a critical moment in our relationship with artificial intelligence, as the line between human and machine-generated content becomes increasingly blurred. This web application serves as both a game and a tool for developing digital literacy in an AI-dominated landscape.
The UX/UI design prioritizes clarity and focus, removing distractions to allow users to concentrate on the subtle details that often distinguish AI-generated images from human-created ones. Through careful information architecture and user flow design, the game tracks users' progress, offering reflections based on their performance and decisions at the end of each round.
The goal is to build a user's confidence in their own judgment while providing simple guidance and prompts for reflection. The experience evolves with the user through progressive disclosure and adaptive interfaces, introducing increasingly subtle distinctions as their discernment improves.
The project represents an increasingly relevant approach to education by being immersive, timely, and engaging for users with limited time or attention. So far, thousands of users have played the game. The tool will continue to evolve with AI's technological developments, as well as user feedback (please email hello@kateander.com with feedback or questions).
Client
Mindful Action for Regeneration
Year
2026
Scope
- Spatial Design
- Web Design and Development
- Merchandise and Print
- Photography
Mindful Action for Regeneration (MAR) is a Florida-based non-profit dedicated to connecting people with nature to restore ecosystems, remove invasive species, and plant native trees.
Since 2025, I've worked with MAR as a creative partner across print, merchandise, and interpretive signage.
For their Gulfport mangrove restoration site, I designed installation signage and developed an interactive digital archive from scratch. Visitors can photograph the site and contribute to a living record of its recovery over time - directly from the installation via QR code.
Designer
Kate Andersen
Client
Mindful Action for Regeneration
Project Information
Mindful Action for Regeneration (MAR) connects Tampa Bay residents with nature through volunteer days, workshops, and community gatherings - restoring native habitats and building environmental stewardship along the way.
Our collaboration has spanned merchandise, event photography, and environmental graphics. That included an interpretive sign for their Gulfport coastal restoration site, paired with a phone stand and QR code linking to a "living archive." There, visitors can act as citizen scientists by submitting photos and watching the site change over time.
The everyday goal is to help make regenerative action visible, approachable, and collective.
Client
Tampa Bay Watch
Year
2023-2024
Scope
- Brand Strategy
- Website UX
- Exhibit Animation
- Photography
I joined Tampa Bay Watch, a leading marine conservation organization, as in-house graphic designer in 2023.
The organization had recently expanded, experiencing brand fragmentation and audience confusion. I proposed a branded-house restructuring strategy to the CEO to unify the organization as it grew.
Around the same time, our team applied to SPARK's STOKED program, and Tampa Bay Watch was selected as that year's pro-bono recipient. I worked closely with SPARK as their team completed the rebrand, and I led UX/UI design for the website redesign, as well as created more consistent, modern public-facing visuals.
Brand Identity
SPARK Team
Elliott Bedinghaus, VP of Creative
Cameron Blank, Brand Director
Adriana Leite, Associate Creative Director
Santiago Jaramillo, Brand Designer
Candice Lockhart, Sr. Project Manager
Web Development
Jenna Rogers, Marketing Director
Kate Andersen, Graphic Designer
Tiana Kirby, Database and IT Projects Manager
Web Design
Kate Andersen
In-House Creative
Kate Andersen
Exhibit Animation
Kate Andersen
Mark Meyers
Jeanne Clark
Leah Biery
Photography
Kate Andersen
Client
Tampa Bay Watch
Project Information
Tampa Bay Watch is a pioneering non-profit marine conservation organization dedicated to the protection and restoration of the Tampa Bay estuary. With over three decades of environmental stewardship, they needed a visual identity that could carry their mission forward while honoring their legacy.
In Spring 2023, I joined Tampa Bay Watch as an in-house designer and content creator during a pivotal moment in the organization's growth. Known for over 30 years of coastal restoration and marine education, Tampa Bay Watch had expanded its programming to include a new education center on the St. Pete Pier, additional marine science programs, and the transformation of its headquarters into a waterfront venue for eco-friendly celebrations. While these initiatives brought exciting opportunities, they also led to brand fragmentation and confusion across audiences.
Recognizing the need for clarity, I proposed a brand restructuring strategy to the CEO in Summer 2023 - recommending a branded house approach that would unify the organization under a cohesive visual system. Around the same time, our marketing team discovered SPARK's Stoked campaign, which offers pro-bono branding support to nonprofits. We applied and were fortunate to be selected. Together with Jenna Rogers (Marketing Director) and Dwayne Virgint (CEO), I collaborated closely with SPARK to reimagine Tampa Bay Watch's brand - one that honors its iconic legacy and creates a sense of community among "Tampa Bay locals," human and wildlife residents alike.
Alongside the rebrand, Jenna and I initiated a full redesign of Tampa Bay Watch's website. I led the UX design and visual direction, prioritizing user flows that make complex conservation information accessible to diverse audiences. I also redesigned the Tampa Bay Watch Discovery Center website, improving both brand alignment and user experience to better serve the center's high volume of diverse visitors.
As the organization's in-house creative, I oversaw all visual outputs to ensure brand consistency across platforms. This included designing educational signage, marketing collateral, merchandise, and digital content - all with a focus on user-centered design that makes environmental action feel approachable. I also directed two educational animations featured at the Discovery Center, located on the St. Pete Pier - a destination that draws millions annually.
Today, the organization reflects a unified, flexible brand that communicates clearly with a wide range of audiences, from school children to scientific partners.
Client
Oyster Boys Conservation
Year
2025
Scope
- Visual Identity
- Merchandise Design
- Illustration
Oyster Boys Conservation needed a design that makes conservation exciting to diverse audiences, generates revenue, and captures the organization's evolving and growing mission.
The resulting artwork helps elevate the brand's visual identity, creating a segue into a new chapter for the organization, without completing a full rebrand.
Creative Direction
Kate Andersen
Design
Kate Andersen
Illustration
Kate Andersen
Client
Oyster Boys Conservation
Dominic Marino, President & CEO
Abby Hendershot, Operations Coordinator
Project Information
Oyster Boys Conservation is a growing nonprofit in Sarasota, FL that specializes in engaging diverse audiences with coastal restoration. They make the work cool, approachable, and empowering.
For their spring 2025 merch drop, I created artwork to complement their existing brand while carrying a few key elements to the forefront: strength, momentum, and wild Florida.
The design's centerpiece is an osprey mid-flight, clutching a string of oysters, to symbolize resilience, restoration, and the wild that they are working to protect. This graphic, paired with a custom script wordmark and brand serif type drawn from maritime traditions, gives the artwork a bold, lived-in look that feels equally at home on a boat, a back road, or a city sidewalk.
To accompany the main artwork, I designed a modular "OBC" monogram inspired by traditional cattle brands and adapted from the Muara brand font. The resulting artwork feels rugged, modern, and very much theirs.